a little off-topic, but is George's "I, Me, Mine" autobiography worth reading?
We'll sneak this in quick...
I try to read most Beatles books in the library first, if I can. Then, if I like them, I buy them. So see if you can find IMM in the library. Seriously, it takes an hour to read; George summarizes his entire life in about 50 pages. I found it interesting, but because it's such a stream of consciousness thing, it helps if you know what else is going on at the time, to put it in context.
All you've got to do is choose love. That's how I live it now. I learned a long time ago, I can feed the birds in my garden. I can't feed them all. -- Ringo Starr, Rolling Stone magazine, May 2007
For all I know, Ringo might be a yogi disguised as a drummer! - George Harrison
i like the way a lot of bands do it and put all the band members names to there songs,but as ive said it is understandable if the person who has sat for days or weeks coming up with the idea and working on it till its done wants lone credit next to the song.
I've actually felt that George Martin got blatantly snubbed for songwriting credits on certain (if not many) songs -- two that come to mind are In My Life, in which he did the piano solo (I think that was his basic composition), and Benefit of Mr. Kite -- the funky psychedelic part in the middle with all the jumbled up sound effects (I think it was Mr. Kite, anyway).
The idea that 'we all know who did what, so it doesn't really matter who got credit' is beside the point. Songwriting credits = $$$ to those credited.
There was a discussion on whether George Martin should get songwriting credits for Yesterday, last year. We also discussed the matter in the Fifth Beatles section: http://www.dmbeatles.com/forums/m-1140552856/
I've actually felt that George Martin got blatantly snubbed for songwriting credits on certain (if not many) songs -- two that come to mind are In My Life, in which he did the piano solo (I think that was his basic composition), and Benefit of Mr. Kite -- the funky psychedelic part in the middle with all the jumbled up sound effects (I think it was Mr. Kite, anyway).
The idea that 'we all know who did what, so it doesn't really matter who got credit' is beside the point. Songwriting credits = $$$ to those credited.
I don't agree with this hypothesis. The song is basically the lyrics and the music to go with it. If somebody comes up with a guitar or piano solo or a recognizable riff that does embellish the song, it is an arrangement. It is not the song itself.
I've actually felt that George Martin got blatantly snubbed for songwriting credits on certain (if not many) songs -- two that come to mind are In My Life, in which he did the piano solo (I think that was his basic composition), and Benefit of Mr. Kite -- the funky psychedelic part in the middle with all the jumbled up sound effects (I think it was Mr. Kite, anyway).
The idea that 'we all know who did what, so it doesn't really matter who got credit' is beside the point. Songwriting credits = $$$ to those credited.
Mustard, soloists don't get songwriting credit for writing a solo, no matter how 'intricate' it is. In a band, the lead guitarist (or keyboard player, etc.) usually "writes" the solo, but is rarely given writer's credit because it isn't considered integral to the song (regardless of how "good" or distinctive it is). One of the reasons why is because a solo is often considered improvisation, and the song structure must already exist in order for the improvisation to exist. Another soloist might go in a completely different direction with the solo, and yet it might be just as effective. An Arranger also doesn't get songwriting credit for arranging, even though arranging is "writing". George Martin contributed, as all producers do, and may have played piano and perhaps should have gotten credit for performing the solo (assuming he hasn't) but it's inappropriate to give him songwriting credit for contributing a piano solo.
There was a discussion on whether George Martin should get songwriting credits for Yesterday, last year. We also discussed the matter in the Fifth Beatles section: http://www.dmbeatles.com/forums/m-1140552856/
George Martin arranged the string section. To the best of my knowledge, he didn't have a hand in writing the song (Please correct me if I'm wrong). Someone who arranges a string section wouldn't get songwriting credit because the song structure, in it's entirety, must exist before the string arrangement can exist. The string arrangement, (or guitar solo, or sax solo, or keyboard part) is entirely dependent on the song, which is why the contributers of such do not automatically get song writing credit. They contribute, and their contribution is noted elsewhere, but well think of it like this: If Paul played 'Yesterday' live in concert, accompanied by just his guitar, minus the strings, would you still expect to see George Martin's name on it?
The answer would be no. Because George Martin didn't write the song, he arranged the string section.
I don't agree with this hypothesis. The song is basically the lyrics and the music to go with it. If somebody comes up with a guitar or piano solo or a recognizable riff that does embellish the song, it is an arrangement. It is not the song itself.
This is entirely correct. That's why the contributors of such do not automatically get songwriting credit.
LOL. I read the preceding posts, which were perfectly clear to me, and you obviously misunderstood, and I wonder if you intentionally go through life being thick?
LOL. I read the preceding posts, which were perfectly clear to me, and you obviously misunderstood, and I wonder if you intentionally go through life being thick?
JJS, as the person you quoted is no longer on the forum I'm going to leave your unnecessarily rude comment here for others to judge you by. Please refrain from speaking to people like that in the future. Thank you.
I just want you to reassure him - talk to him, make him see the error of his ways. Then I'll hit him.