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[Hello Goodbye]

Debbie Allen played Anita but I don't remember which theater it was.

You saw it at The Minskoff Theatre...

[KelMar]

  Who did your brother play?

Sound crew guy.  He was a wonderful singer and guitarist but I don't remember ever seeing him dance much, except when he did his Pips impression. (As in Gladys Night and the....)

[KelMar]

You saw it at The Minskoff Theatre...

That's right! I have that Playbill up in the attic somewhere.

[Hello Goodbye]

Well, if you go up there to look for it and if you should see any holes where the rain gets in, fix them!

[KelMar]

Well, if you go up there to look for it and if you should see any holes where the rain gets in, fix them!

 

[Hello Goodbye]

 

That was my first time in NYC and I was wide-eyed the whole time to say the least!

You should have let me know you were coming to town!

[KelMar]

You should have let me know you were coming to town!

Oh, you would have loved that. The 16 year old me was even goofier than the current version. 

[Hello Goodbye]

If that's possible. 

The Netflix review of Carousel was very superficial.  I feel the musical has a much deeper meaning than that.  Rodgers and Hammerstein's second musical collaboration following Oklahoma met with differing reviews, but I think the story, which they based on a European play, is very meaningful and leads to a lot of introspection.  I get "misty" at certain parts, but that's OK.

[KelMar]

I'm looking forward to watching it. I have a feeling it's going to be an interesting experience for me.

[Hello Goodbye]

It will be.  There will be several parallels to your own life.  I think Rodgers and Hammerstein wrote a brilliant story, set to music, where each person who sees it will recognize him or herself in some way.  It's a story that makes one think.