A couple of posts I already made to the "Buddy Holly" thread on this board:
I'm a huge fan of the man from Lubbock as well. It seems to me that until 1965 The Beatles as musicians and Lennon-McCartney as songwriters were just extending what he started (albeit brilliantly and prolifically), not the R&B-oriented strain of Rock 'N' Roll that Chuck Berry, Fats Domino, and Little Richard originated. (The Everly Brothers were the other big influences, but most of their songs were written by others, especially the Bryants.) From then on The Beatles, Dylan, and, to a much, much lesser extent, The Rolling Stones created "pop/rock" as opposed to "R&R." But Buddy might well have been able to do something like this himself if he had lived. There are hints of this ability in such songs as "Well All Right," "Rave On," "Words Of Love," "Not Fade Away," "Learning The Game," and "Everyday" (which is why all of these have produced cover versions which never sounded dated). Certainly, NONE of the other 1950's rockers -- the ones who survived into the next decade and beyond -- showed any such capacity for artistic growth.
But, we'll never know....
BTW, all of you should watch Paul's documentary "The Real Buddy Holly Story," in which The Quarry Men's 1957 version of "That'll Be The Day" (later on ANTHOLOGY) was first played.
The Mary Tyler Moore reference above is actually to his bandmate Sonny Curtis, who wrote that theme song, along with "Walk Right Back " for the Everly Brothers and "I Fought The Law," the Bobby Fuller hit which Curtis originally recorded with the post-Buddy Crickets. (Buddy died before any of these songs appeared and therefore had nothing to do with them.)
For that matter, my favorite Fab BBC track is "Don't Ever Change," which was a UK hit for the post-Buddy Crickets as well.