"Only A Northern Song" certainly fits the SGT PEPPER concept better than "Within You Without You," that's for sure. One can easily understand why George opted for WYWY over OANS but I can't imagine why the other Fabs let him. It may, however, have to do with the fact that George's contribution to PEPPER was cut from 2 to 1 (down from three-to-an-album when you consider his contribution to the previous LP, REVOLVER). I've always enjoyed OANS and don't find John's contributions disturbing in the least. I think Paul's bass is great (as on all PEPPER-era tracks) and Ringo's drumming is clear and concise. WYWY is generally considered the nadir of SGT PEPPER; I doubt OANS would have gained the same notoriety had it been included instead. That honor, I'd have to say, would go to the overly melodramatic SHE'S LEAVING HOME.
Calling "Within You, Without You" the low point or "nadir" of the Pepper album is ridiculous to me..
The song encapsulates their then-current interest in eastern philosophies and aural experimentation they had begun as far back as fall of '65 w/ Rubber Soul. Would you call the introduction of a sitar on "Norwegian Wood" as a similar nadir point on R.S. ? ..or his "Love You To" on Revolver? .. following that natural progression, Pepper's "WYWY" is one of the album's centerpieces reflecting the Beatles evolving spiritual curiosity (and for George ultimately, his
destination) Dismissing it so offhandedly seems to miss the song's importance in this
particular collection. OANS is, for the most part, one of George's quickly-put-together, "throw away" tunes--meant, no doubt as album filler for that wasteland of Beatle Lps, Yellow Submarine (which only contained a handful of newer soundtrack material AND previously released stuff)(MMT, notwithstanding
) Can you really compare the lyrics of OANS & WYWY with a straight face ? There's NO comparison. George is obviously being facetious on "Northern Song" --meant as a mild "swipe"at NEMS itself...he's purposely concerning himself w/ meaningless trivialities in OANS ("it doesnt really matter what chord I play"..""what time of day it is", or, "if my hair is brown") Conversely,"WYWY" is certainly one of his more
earnest works. Here, he concerns himself w/ larger, more universal themes touching on the
human condition..("We were talking-about the space between us all
And the people-who hide themselves behind a wall of illusion
Never glimpse the truth-then it's far too late-when they pass away"..."We were talking-about the love we all could share-when we find it
To try our best to hold it there-with our love
With our love-we could save the world-if they only knew...." Aren't THESE themes a little more IMPORTANT than the lyrics of OANS ??
I'd say so. Dont get me wrong, I like "Only a Northern Song", but it certainly does not rank along side "WYWY" lyrically or thematically..and just as importantly for the emerging hippie culture that came into fruition during 1967, "WYWY" was certainly
au courant. OANS, on the other hand, was simply an inside joke.
-mmm