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Author Topic: Break-up statements  (Read 1642 times)

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walrus_21

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Break-up statements
« on: August 29, 2007, 02:29:05 PM »

Can anyone point me to McCartney's statements or the Eastman statements on the breakup?

Please, thanks.  wal
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BlueMeanie

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Re: Break-up statements
« Reply #1 on: August 29, 2007, 03:38:12 PM »

From: Bob Stahley (bobs@primenet.com)
Newsgroups: rec.music.beatles
Subject: Re: The Undisputable Fact
Date: 1 Jan 1996 02:32:01 -0700

What broke up the Beatles was Paul's public announcement on April 10th, 1970, that the Beatles would never work together again, and the subsequent lawsuit he filed against the other three on December 31, 1970.

Until then, no matter what they said privately to each other, all their public statements conveyed the message that the partnership was to continue indefinitely. In the fall of 1969, _after_ "Abbey Road" was released, John told Melody Maker that "after 'Get Back' is released in January, we'll probably . . . do another one." In February of 1970, he told _Rolling Stone_, "We still might make Beatles product . . . but we need more room--The Beatles are just too limited., that's where the trouble is." He told the New Musical Express, "It just depends on how much we all want to record together." He said that trying to accomodate everyone's songs on one album was the main problem.

Ringo told NME in March of 1970, "Everything's fine. I've got things to do and George has got things to do and Paul has his solo album and John has his peace thing. We can't do everything at once." George said, in the same article, "Say we've got unity through diversity, because that's what it is . . . we had to find ourselves, individually, one day."

When John Eastman (Paul's brother-in-law and attorney) announced on April 7th that the release of Paul's solo album, "McCartney," was coming out and it meant, in essence, the end of The Beatles, Apple spent three days denying it before it reluctantly released, on Paul's demand, the "self-interview" (subsequently was included in UK copies of "McCartney") that made the split official.

On that day (April 10), Apple also released a statement on behalf of the Beatles that read, "The world is still spinning and so are we and so are you. When the spinning stops--that'll be the time to worry. Not before. The Beatles are alive and well and the beat goes on. The beat goes on."

Even after the April 10th announcement, the remaining three Beatles were still publicly stating that the Beatles, as an entity, still existed and this was a temporary hiatus. A few weeks after Paul's statement, Ringo told a reporter, "I just feel it in my bones that we'll probably all be recording together again before very long." George said, "There is every prospect" that the Beatles eventually would work together again. "Everyone this year is trying to do his individual album, but after that, I am ready to go back to work together again." In early summer, George, while working on "All Things Must Pass", again said he'd expect the Beatles to be working together, possibly by the end of the year.

John initially had little response to Paul's announcement, saying only, "Paul phoned me to say 'I've decided to leave The Beatles.' It was good to hear from him, now that I know he's not dead [a reference to the "Paul is dead" hoax that broke the previous fall]."

In the May 14 edition of _Rolling Stone_, John made his feelings clearer: "It's the simple fact that [Paul] can't have his own way, so he causing chaos. I put out four albums last year, and I didn't say a f--ing word about quitting."

In June, Paul, through his attorney, began the slow process of disolving the partnership, raising the issue with John via a letter later that summer. John refused to discuss the issue. Paul again raised it during a meeting with the other three in New York that October. They refused to address it then, either.

McCartney filed suit against the Allen Klein and the other three Beatles on December 31, 1970, asking that The Beatles and Co. be legally dissolved that that a receiver be appointed in the meanwhile.

With that, the Beatles were no more.

Say what you will about the various arguments over guitar leads, drum breaks and girlfriends, but make no mistake, the facts are these: Paul went public and ignited the press firestorm that immediately erupted thereafter. He insisted on an immediate legal disolution of the partnership, igniting almost a decade of vitriolic court battles.

It is important to note that _all_ of John's statements regarding the breakup, such as the fact that he'd actually left first, et cetera, were made _after_ Paul's public announcement and the subsequent hard feelings it generated.

The bitter statements against Paul by the other three that appear in the court affidavits leave no doubt whatsoever as to who "broke up the Beatles."

The ironic thing is that, a mere three years later, John, George and Ringo split with Allen Klein and sued him. If Paul had bided his time, he'd have gotten what he'd wanted (the problem, of course, was Klein; Paul wanted Eastman to manage the group), and the Beatles might have been back in the recording studio in 1975.

Or maybe not.

(From the article, "'Unity Through Diversity'--How Close Did The Beatles Come To Not Breaking Up?" by William P. King, published in _Beatlefan_, #93 (Vol 16, No 3), March-April, 1995. For more information, refer to that article; also see _Apple To The Core_, McCabe and Schonfeld, Pocket Books, 1972.)
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walrus_21

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Re: Break-up statements
« Reply #2 on: August 29, 2007, 03:44:33 PM »

Blue -- thanks.  But I'm looking for the actual text of what Paul said, and what Eastman said.  I can't find it anywhere.  

Please, thanks ...
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BlueMeanie

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Re: Break-up statements
« Reply #3 on: August 29, 2007, 03:45:24 PM »

This 1969 letter informed Lee Eastman, Paul McCartney's then music lawyer and father-in-law, he was not authorised to represent the band as well.

It came during a row over management between McCartney and his bandmates.

McCartney wanted Eastman but the others wanted the Rolling Stones' manager. The letter was sold on Thursday to a private collector from Nottinghamshire.
The letter was co-signed by John Lennon, George Harrison and Ringo Starr under his real name Richard Starkey.

It told Eastman he was "not authorized to act... as the attourney (sic) or legal representative of 'The Beatles' or of any of the companies which the Beatles own or control".

It followed the band's realisation that their company Apple was in financial chaos and new management was needed.

The Beatles
The Beatles officially dissolved their partnership in 1975
But while Lennon, Harrison and Starr opted for the Rolling Stones' manager Allan Klein, McCartney proposed Eastman and his son John.

The Beatles' partnership was finally dissolved in court in 1975.

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BlueMeanie

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Re: Break-up statements
« Reply #4 on: August 29, 2007, 03:48:22 PM »

This printed interview appeared on April 10th 1970 as a press release in advance promotional copies of Paul's first solo album entitled 'McCartney.' In this self-interview, Paul asks and answers questions about the immediate future of the Beatles and his songwriting partnership with John Lennon, concerns about the Beatles' new management, as well as questions about the writing and recording of his first solo album.

While John Lennon had privately left the Beatles months earlier, it was from this interview that the story of the Beatles' break-up finally was made public.

The 'McCartney' album was officially released in the UK on April 17th 1970.

Q: "Why did you decide to make a solo album?"

PAUL: "Because I got a Studer four-track recording machine at home - practiced on it (playing all instruments) - liked the results, and decided to make it into an album."

Q: "Were you influenced by John's adventures with the Plastic Ono Band, and Ringo's solo LP?"

PAUL: "Sort of, but not really."

Q: "Are all songs by Paul McCartney alone?"

PAUL: "Yes sir."

Q: "Will they be so credited: McCartney?"

PAUL: "It's a bit daft for them to be Lennon/McCartney credited, so 'McCartney' it is."

Q: "Did you enjoy working as a solo?"

PAUL: "Very much. I only had me to ask for a decision, and I agreed with me. Remember Linda's on it too, so it's really a double act."

Q: "What is Linda's contribution?"

PAUL: "Strictly speaking she harmonizes, but of course it's more than that because she's a shoulder to lean on, a second opinion, and a photographer of renown. More than all this, she believes in me - constantly."

Q: "Where was the album recorded?"

PAUL: "At home, at EMI (no. 2 studio) and at Morgan Studios (WILLESDEN!)"

Q: "What is your home equipment (in some detail)?"

PAUL: "Studer four-track machine. I only had, however, one mike, and as Mr. Pender, Mr. Sweatenham and others only managed to take 6 months or so (slight delay) I worked without VU meters or a mixer, which meant that everything had to be listened to first (for distortion etc...) then recorded. So the answer - Studer, one mike, and nerve."

Q: "Why did you choose to work in the studios you chose?"

PAUL: "They were available. EMI is technically very good and Morgan is cozy."

Q: "The album was not known about until it was nearly completed. Was this deliberate?"

PAUL: "Yes, because normally an album is old before it even comes out. (A side) Witness 'Get Back.'"

Q: "Why?"

PAUL: "I've always wanted to buy a Beatles album like people do and be as surprised as they must be. So this was the next best thing. Linda and I are the only two who will be sick of it by the release date. We love it really."

Q: "Are you able to describe the texture or the feel of the album in a few words?"

PAUL: "Home, family, love."

Q: "How long did it take to complete?"

PAUL: "From just before (I think) Xmas, until now. 'The Lovely Linda' was the first thing I recorded at home, and was originally to test the equipment. That was around Xmas."

Q: "Assuming all the songs are new to the public, how new are they to you? Are they recent"

PAUL: "One was from 1959 (Hot As Sun). Two are from India - 'Junk' and 'Teddy Boy,' and the rest are pretty recent. 'Valentine Day,' 'Momma Miss America' and 'Oo You' were ad-libbed on the spot."

Q: "Which instruments have you played on the album?"

PAUL: "Bass, drums, acoustic guitar, lead guitar, piano and organ-mellotron, toy xylophone, bow and arrow."

Q: "Have you played all these instruments on earlier recordings?"

PAUL: "Yes, drums being the one that I normally wouldn't do."

Q: "Why did you do all the instruments yourself?"

PAUL: "I think I'm pretty good."

Q: "Will Linda be heard on all future records?"

PAUL: "Could be. We love singing together and have plenty of opportunity for practice."

Q: "Will Paul and Linda become a John and Yoko?"

PAUL: "No, they will become Paul and Linda."

Q: "What has recording alone taught you?"

PAUL: "That to make your own decisions about what you do is easy, and playing with yourself is very difficult, but satisfying."

Q: "Who has done the artwork?"

PAUL: "Linda has taken all the photos, and she and I designed the package."

Q: "Is it true that neither Allen Klein nor ABKCO have been nor will be in any way involved with the production, manufacturing, distribution or promotion of this new album?"

PAUL: "Not if I can help it."

Q: "Did you miss the other Beatles and George Martin? Was there a moment when you thought, 'I wish Ringo were here for this break?'"

PAUL: "No."

Q: "Assuming this is a very big hit album, will you do another?"

PAUL: "Even if it isn't, I will continue to do what I want, when I want to."

Q: "Are you planning a new album or single with the Beatles?"

PAUL: "No."

Q: "Is this album a rest away from the Beatles or the start of a solo career?"

PAUL: "Time will tell. Being a solo album means it's 'the start of a solo career...' and not being done with the Beatles means it's just a rest. So it's both."

Q: "Is your break with the Beatles temporary or permanent, due to personal differences or musical ones?"

PAUL: "Personal differences, business differences, musical differences, but most of all because I have a better time with my family. Temporary or permanent? I don't really know."

Q: "Do you foresee a time when Lennon-McCartney becomes an active songwriting partnership again?"

PAUL: "No."

Q: "What do you feel about John's peace effort? The Plastic Ono Band? Giving back the MBE? Yoko's influence? Yoko?"

PAUL: "I love John, and respect what he does - it doesn't really give me any pleasure."

Q: "Were any of the songs on the album originally written with the Beatles in mind?"

PAUL: "The older ones were. 'Junk' was intended for 'Abbey Road,' but something happened. 'Teddy Boy' was for 'Get Back,' but something happened."

Q: "Were you pleased with 'Abbey Road'? Was it musically restricting?"

PAUL: "It was a good album. (number one for a long time.)"

Q: "What is your relationship with Klein?"

PAUL: "It isn't. I am not in contact with him, and he does not represent me in ANY way."

Q: "What is your relationship with Apple?"

PAUL: "It is the office of a company which I part own with the other three Beatles. I don't go there because I don't like offices or business, especially when I am on holiday."

Q: "Have you any plans to set up an independent production company?"

PAUL: "McCartney Productions."

Q: "What sort of music has influenced you on this album?"

PAUL: "Light and loose."

Q: "Are you writing more prolifically now? Or less so?"

PAUL: "About the same. I have a queue waiting to be recorded."

Q: "What are your plans now? A holiday? A musical? A movie? Retirement?"

PAUL: "My only plan is to grow up!"


Source: Transcribed by the Beatles Ultimate Experience website from the reprinted interview in The New Musical Express - issue # 1214
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